Tuesday, December 31, 2019

Universal Music sells stake to Chinese giant Tencent | The Guardian

Universal Music Group, the home of stars including Taylor Swift, Lady Gaga and The Beatles, has sold a 10% stake to a consortium led by Chinese tech giant Tencent in a deal valuing the world’s largest music company at €30bn (€25bn).

UMG’s parent company, Vivendi, which is controlled by the French billionaire Vincent BollorĂ©, has also agreed that the Tencent-led consortium has the option to buy another stake of up to 10% at the same price by 15 January 2021.

The deal, which follows protracted talks that began last summer, increases Tencent’s international expansion. The Chinese company owns a 7.5% stake in Swedish streamer Spotify, and the deal will help Universal Music to expand in Asia.

Vivendi said Tencent Music Entertainment will also buy a minority stake in Universal Music’s operation across Greater China.

“Vivendi is very happy with the arrival of Tencent and its co-investors,” Vivendi said in a statement. “They will enable UMG to further develop in the Asian market.”

Vivendi and Tencent would not name other members of the consortium other than to say it includes “certain global financial investors”.

Separately, Vivendi said it entered new talks just before Christmas over the potential sale of an additional minority stake in UMG, at a price “which would at least be identical” to the deal with Tencent, with another unnamed investor or investors.

The French media conglomerate has been angling to sell a stake in UMG for the last 18 months to cash in on the music industry revival which is being driven by the streaming revolution, in turn led by services including Apple, Spotify, Amazon and Deezer.

Last year, global music revenues grew at their fastest rate in more than two decades. Worldwide, recorded music revenues surged 9.7% to $19.1bn (£14.6bn) in 2018, the fastest rate of growth since at least 1997 when the Oasis album Be Here Now topped the UK album chart.

It is the highest level of income earned by the music industry since 2006, when CD sales accounted for more than 80% of global revenues and streaming income was non-existent.

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