Wednesday, December 11, 2019

Espinoza Paz Signs On For Distribution With The Orchard | The Daily Rind


Espinoza Paz Signs On For Distribution With The Orchard

By Jason Pascal & Daniela Gutierrez December 11, 2019

The Orchard is proud to announce a new distribution agreement with Regional Mexican superstar, Espinoza Paz, through the record label Viernes Music, commercially known as 1029 Music. 

Paz is one of the most successful songwriters in the genre, having won Regional Mexican Songwriter of the Year at the 2019 BMI Awards, and has been nominated for 5 Latin Grammy Awards — as a composer 4 times and once as an artist.

Wildly successful in Banda, Mariachi and Norteño, his rich catalog as a recording artist will now be distributed by The Orchard worldwide, including the LPs Un Hombre Normal, A Veces, No Pongan Esas Canciones, and Yo No Canto Pero Lo Intentamos.  

Espinoza, through the efforts of Carlos Quintero, Jason Pascal and Daniela Gutiérrez – Senior Label Manager, The Orchard Mexico – has already released an album named Que No Se Caiga el Ritmo and three singles: ‘Eres Lo Mejor Que Me Pasó’, ‘Tomando Ando’ and ‘Era Creyente.’ These singles will be included on his upcoming album La Joya, which will be released in February 2020. The latest track, ‘Era Creyente’ was just recently released on December 6. He will soon announce new tour dates in Colombia, Mexico and the United States.

We are honored to be partnered with Espinoza Paz, and we look forward to reaching even greater heights together.

——————–

The Orchard se enorgullece en anunciar la nueva distribución del aclamado artista de música regional mexicana, Espinoza Paz, a través de la disquera Viernes Music, comercialmente conocida como 1029 Music.

Paz es uno de los compositores más exitosos en su género. En el 2019 fue galardonado como ‘Compositor del Año de Música Regional Mexicana’ en los premios BMI. Asimismo, ha sido nominado en cinco ocasiones al Grammy Latino: cuatro como compositor y uno como artista. 

Con gran éxito en los géneros de Banda, Mariachi y Norteño, su amplio catálogo discográfico ahora será distribuido por The Orchard a nivel mundial, incluyendo los LPs Un Hombre Normal, A Veces, No Pongan Esas Canciones y Yo No Canto pero lo Intentamos

Espinoza, con apoyo de Carlos Quintero, Jason Pascal y Daniela Gutiérrez – Senior Label Manager, The Orchard México – , ha lanzado ya un álbum llamado Que No Se Caiga el Ritmo, así como tres sencillos: ‘Eres Lo Mejor Que Me Pasó’, ‘Tomando Ando’ y ‘Era Creyente’. Estos sencillos estarán incluidos en su próximo álbum La Joya que será lanzado en febrero de 2020. El último tema, ‘Era Creyente’, fue recientemente lanzado el 06 de diciembre. Pronto anunciará presentaciones en Colombia, México y Estados Unidos. 

Nos sentimos honrados por esta nueva alianza con Espinoza Paz, y esperamos tener logros aún mayores en el futuro. 

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Daily News Highlights: Wednesday, December 11, 2019 | The Daily Rind

Women In Music Unveil 2020 Global Event Series, Announce Diversity & Inclusion Council ASCAP Launches TuneUp Program to Support Music Creators’ Physical & Mental Health 1,200+ Indian YouTube channels have more than 1m subscribers Pitchfork: The 50 Best Albums of 2019

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Marriage Story | Lefsetz Letter


I never want to get divorced again.

This would be better tomorrow, when my mood stabilizes. But that’s not how life works, it comes at you unexpectedly, the twists and turns…the older you get the more you realize you can’t plan for anything. Oh, you can plan, but it never turns out that way, something always derails your desire. Life is full of potholes. And one of the deepest is relationships.

Which also come with their highs. You know the moment, when you’re falling in love. Some people can’t resist that, they go from person to person, never wanting to get deep. Some can’t get deep. Some are just afraid to. But it’s when you plow down through the layers, that you feel most alive.

Now this movie was made by Netflix, although it played in theatres first, for a brief while anyway. You see instead of allowing streaming to take its own course, the film industry, mostly the Academy, i.e. the Oscars, wants to stay in the past, kind of like a marriage that is dying, you’re going down the track and nothing can stop the train.

They keep tweaking the rules, trying to get youngsters involved. They expanded the number of Best Picture nominees, trying to rope in the superhero faction, but the ratings keep dropping, and the best pictures go unseen.

But not anymore.

The studios want to protect their windows. Kind of like how the record companies wanted to protect their retailers. Look how that worked out, all the retailers died. You see it’s hard to impose an old model on a new paradigm, i.e. the internet. We live in an on demand culture, we want everything at our fingertips, and if it’s not…

We ignore it.

That’s the dirty little secret the entertainment industry doesn’t want acknowledged, how much of their product goes straight into the dumper. Only a few things truly succeed, and now with the tsunami of offerings, you can’t look back to what played in theatres months ago, years ago, you want to stay current, even though today’s human condition is to always feel behind and out of it, unless you’re fooling yourself.

So, after a very brief window, “Marriage Story” has appeared on Netflix. If you’ve got an account, you know, it’s featured up front and personal on the home screen. This is the most valuable real estate in visual entertainment. They used to talk about endcaps in record retail, talk about the marketing dollars spent to advertise a movie, now all that is superseded, we can all know about something right away, left and right, Democrat and Republican, we can all be united by art.

And there’s more truth in this movie than anything in D.C.

Maybe you’ve never been married. Maybe you’ve never been divorced. But when you stand in front of family and friends and say “I Do,” when it’s over you get a feeling, a pit in your stomach, as if you failed the final and didn’t graduate from college.

Oh, you cannot see this coming. Word on the street is divorce is painless…

But it’s not.

So Adam Driver and Scarlett Johansson are married. Happily. With a child. It starts this way, and then over the years…one partner becomes unhappy, even though the other usually doesn’t know about it. What did Esther Perel say? In every marriage there’s one person looking to leave and another who thinks everything is okay.

Adam Driver thinks everything’s okay.

He’s self-made, a known figure in the avant-garde theatre world of New York City.

But Scarlet Johansson feels suffocated, unacknowledged. She thinks she sent this message, but if she did it was subtly, and Adam Driver didn’t get it.

So Scarlett moves to L.A.

Yup, that’s a constant theme in the movie, west coast versus east coast. And the truth is in today’s less than mobile society, where people cannot afford to pack up and move, the only people who’ve experienced this are entertainers and fat cat business people.

In L.A. you’ve got space.

In New York you’ve got feelings, it’s about the interior as opposed to the exterior.

In New York, theatre is paramount.

In L.A., it’s movies.

New Yorkers think they’re superior.

Angelenos don’t care.

Now the promotion may have made you aware of Laura Dern’s spectacular performance as a high-paid divorce lawyer, but print cannot do justice. Dern encapsulates the jive, rich, friendly but cutthroat women in this role. And Ray Liotta’s performance as her counterpart is great too.

Yup, the attorneys are friendly, it’s all just grist for the mill. Meanwhile, their clients are ground down to nothing.

How do you break up a marriage? Their family was your family, it was all kumbaya, and now it’s not.

And you hate each other but still love each other. You want to see the other person dead but there’s no one you feel closer to.

Yes, the acting is great, Julie Hagerty reclaims her intellect from too many doofus roles. Merritt Wever always shines. And Alan Alda…encapsulates the discarded but wise in this case attorney. Yup, they squeeze you out, you’re too old, you’re not producing, but your talent and experience are undeniable.

But too often unacknowledged.

Now we used to go to the theatre for experiences like this. You know, the movie theatre, with its darkness and sticky floors and no interruptions, other than the talkers, and this is a film where the talkers will bug you.

But just like the symphony, and the opera, independent film has been kept alive by the oldsters, who’ve all decided it’s just too much effort to go to the theatre when there’s a cornucopia of entertainment at your fingertips and you don’t have to hassle to get it.

Of course there are those who still swear by the experience, but the truth is independent grosses have tanked. And they’re not going back up.

Meanwhile, the world is topsy-turvy. Mainstream movies are cartoons, and the essence of life is on television.

Now I don’t think I’ve conveyed the elements of this movie fully. On one hand, I don’t want to. On the other, I want to implore you to watch it.

Sure, it’s two hours and sixteen minutes long, but you won’t be able to turn it off, because even if you can’t reveal your inner feelings, they’re in this movie, it reflects real life, which as I said is not in mainstream movies and not in music either. We’re beholden to the surface. Express your feelings and you’re branded a loser. You’re supposed to be a winner. But you just can’t stop talking about the breakup, even though they’re never coming back and your friends are sick of hearing you talk about it.

You see what you shared was just between the two of you.

And when Adam Driver sings Stephen Sondheim’s “Being Alive,” the lyrics resonate, that’s what we’re all looking for in relationships, someone who gets us, someone who supports us, someone to experience life with, someone to heighten our senses and watch the movie of life with.

And the truth is everybody’s unhappy. At best people complete each other. She’s sloppy, he’s neat. But no matter how much he bugs her, she’ll never be neat.

And you’ll never truly be a member of her family. They circle the wagons after the defeat, you’re left alone, an outsider. All your hopes and dreams come to a halt. You thought you were cruising on all cylinders, then you were blindsided. Suddenly, all that you thought was important is not.

Now the seeker…frequently does not find what he or she is looking for.

And the one pining for stability…is oftentimes in the same spot.

I’m not talking about drugs and physical abuse, I’m talking about those who get along and then someone pulls the ripcord.

We all want to get what we’re looking for. We all want to be understood, we all want to win. But the truth is even if we gain career victories, they often leave us hollow. Turns out everyday life is the reward, the most invigorating and satisfying victory, but if you don’t have that totem of success, you somehow feel less than.

Insecurity, it sidelines the best of us. We think we’re putting up a good face, but the truth is most people can tell it’s fake. You want to just be yourself, but deep down you believe yourself is just not good enough.

Society will mess with you. Might even ruin your life. And in the end, most people find they have not found what they are looking for.

So what to do?

Experience art, that contains truth. I’m not talking about escape, but resonance. When you see yourself in a movie or book or record, you no longer feel so alone.

So I can’t tell you about awards, but in truth they’re bogus.

But great art affects you, leaves you off-kilter when it ends.

I’m messed up now that “Marriage Story” is over.

This is not “The Irishman,” this is not gloss, this is not another world, this is you, your essence, your life, can you handle it?

You know you want to.

So fire up Netflix and watch “Marriage Story,” if for no other reason than when it’s finished you too can weigh in on its merits, or lack thereof. Yup, now that it’s on Netflix, essentially available to everyone, during the holiday season, you can go places and discuss it.

And that’s what makes you feel alive, the human interaction, the weaving of opinions and stories.

That’s what you’ll find in “Marriage Story,” but just like in real life, it doesn’t always work out.

But you do your best to soldier on. Keep looking. Lick your wounds, but if you hang in there long enough, things will start to turn.

Assuming you’ve got a support network, maybe a therapist.

But too many are alone and too many have little cash.

Well, at least you can watch “Marriage Story” and know you’re not the only one.

We’re all alike under the skin, it’s just that the winners don’t want to be seen as ordinary and the hoi polloi are told they’re inadequate.

Then again, I wish I could make art as great as Noah Baumbach’s.

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Indie distributor Redeye acquires Swedish distribution company Border Music | Music Business Worldwide


Redeye, the North Carolina-based North American independent distributor, has acquired Sweden-based music distribution company Border Music.

The news was announced today at the company’s year-end Label Hang in North Carolina.

Continuing to operate as Border Music with a warehouse in Göteborg, the deal allows Border access to Redeye’s worldwide digital and physical distribution, including joint development of extensive proprietary digital analytic tools for labels through Border’s B2B.

With the acquisition, Redeye’s European digital team expands to six reps with offices in Sweden, Norway, Finland and Denmark in addition to London and Berlin.

Early releases under the deal include Drive-By Truckers (pictured) (ATO), Born Ruffians (Yep Roc), James Hunter Six (Daptone) Beach Bunny (Mom+Pop) Banoffee (Cascine), Pet Shop Boys (AWAL) and Jonathan Wilson (Bella Union).

“The partnership makes strategic sense for all involved.”

Aaron Freeman, Redeye

“In many ways Border Music resembles Redeye both in the culture of the company as well as the services offered,” said Aaron Freeman, COO of Redeye. “The partnership makes strategic sense for all involved.”

“I am excited to expand the reach and capabilities of Border Music while doubling down on the core services that have been our hallmark for more than 30 years.”

Pelle Erikson, Border Music

Pelle Erikson, Managing Director of Border Music, added: “I am excited to expand the reach and capabilities of Border Music while doubling down on the core services that have been our hallmark for more than 30 years.”Music Business Worldwide

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Rules Of Engagement: Latest Guide To Social Media Posting | Hypebot

As the world of social media continues to develop and evolve at a rapidfire pace, what made for an effective post last year will no longer work today. Here we. Continue reading

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Spotify story becomes Netflix Original Series | Music Business Worldwide


Netflix has announced the untitled scripted series about Spotify, which it describes as ‘the Swedish start-up that shook the entire music industry.’

The limited series is inspired by the book Spotify Untold by authors Sven Carlsson and Jonas Leijonhufvud – both business reporters at Swedish Dagens Industri – and will be produced by Yellow Bird UK, a Banijay Group company and the production company behind the upcoming Netflix series Young Wallander.

Acclaimed Per-Olav Sørensen (Quicksand, Home for Christmas and Nobel) will be directing and Berna Levin (Young Wallander, Hidden and The Girl in the Spider’s Web) will serve as executive producer.

The series centers around a young Daniel Ek, and his partner Martin Lorentzon.

“It is a story about how hard convictions, unrelenting will, access and big dreams can help small players challenge the status quo by evolving the way we can all listen to music,” says the press release announcing the series.

The Swedish and English language series will be developed and produced by Yellow Bird UK, with Berna Levin serving as executive producer and Luke Franklin as producer. Per-Olav Sørensen, known for Quicksand, Home for Christmas and Nobel will be directing

“We are really excited about bringing this success story to life and we look forward to continuing our great collaboration with director Per-Olav Sørensen and the team at Yellow Bird UK.”

Tesha Crawford, Netflix

Tesha Crawford, Director of International Originals Northern Europe at Netflix, said: “The founding tale of Spotify is a great example of how a local story can have a global impact.

“We are really excited about bringing this success story to life and we look forward to continuing our great collaboration with director Per-Olav Sørensen and the team at Yellow Bird UK.”

“The story of how a small band of Swedish tech industry insiders transformed music – how we listen to it and how it’s made – is truly a tale for our time.

Berna Levin, Yellow Bird

Berna Levin, Executive Producer, Yellow Bird, added: “I’m thrilled to be making this timely and entertaining series for Netflix.

“The story of how a small band of Swedish tech industry insiders transformed music – how we listen to it and how it’s made – is truly a tale for our time.

“Not only is this a story about the way all our lives have changed in the last decade, it’s about the battle for cultural and financial influence in a globalised, digitised world.”

“It is an ongoing fairytale in modern history about how Swedish wiz kids changed the music industry forever. The story is truly exciting and challenging.”

Per-Olav Sørensen

Per-Olav Sørensen added: “I am excited to bring the story of Sweden based Spotify to life on the screen.

“It is an ongoing fairytale in modern history about how Swedish wiz kids changed the music industry forever. The story is truly exciting and challenging.

“Challenging because the Spotify story has not ended yet – it is still running with high speed and will probably change while we work on the project. I am also happy to continue my cooperation with Netflix.

“The completely different projects we have done together so far really challenges me as a director, and I am looking forward to walk on yet an exciting path with Netflix.”Music Business Worldwide

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The Best Advice Elton John Ever Got | Spotify for Artists


The Best Advice Elton John Ever Got

Recently we popped over to meet with Sir Elton John.

Elton John needs no introduction—so we’ll keep it brief—but we were very excited to spend a little time with the legendary singer-songwriter for our monthly series Best Advice. Even by his standards, the 72-year-old’s closing out a fantastically busy year, looping the globe for his farewell tour as well as promoting his page-turner autobiography simply titled Me, which comes hot on the heels of his Golden Globe-nominated biopic Rocketman.

Given his career has spanned half a century, his popularity flourishing through wild trends and changeable decades, the flamboyant singer certainly has a lot of experience to pull from and plenty of advice to dispense, but that doesn’t mean he’s above taking counsel from others. So without further adieu, please watch his episode above, which premiered this morning on Billboardhttps://www.billboard.com/articles/business/streaming/8545834/elton-john-best-advice-spotify-artists.

Watch Elton’s episode of Best Advice, above, and check out all our previous installments with Lizzo, Tierra Whack, Quincy Jones, Ciara, Rick Ross, Karen O, and many more right here.

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